The Skin of Our Sheath
電子皮膚
RAY LC, MIZUHO KAPPA
羅銳,瑞穂
2' | 16:9 | 2019 | mp4
Location : New York 紐約市
Our growing isolation and deprivation of physical presence in the Covid-19 era also lead to our further retreat to digital realities. On Zoom and various social media, we find ourselves shuttling between virtual and physical realities, comprehending new metaphors, gestures and idioms. We often see people playing in Virtual Reality (VR) and tell ourselves, “what a great time they’re having!” We are unaware of the world shielded from VR and what happens from moment to moment in the actual out there. In The Skin of Our Sheath,two very different observable stories take place at the same time, juxtaposed on the same screen -- a VR environment and the performance outside the VR that generates it – to show that understanding and playing with perceptions are different. Viewers now see every “stroke” in the creative process that makes the 3D VR.

Full statement: https://raylc.org/chairbots/SkinSheath_TEIArt2020_01.pdf


Publisher
發行人

RAY LC


Original licenses
原版權

Full credit list
工作人員名單


Choreographer 編舞 : RAY LC 羅銳
Dancer 舞者 : MIZUHO KAPPA 瑞穂
Biography
創作者簡介

RAY LC’s practice incorporates cutting-edge neuroscience to build bonds between humans and machines. He studied artificial intelligence (Cal Berkeley) and neuroscience (UCLA), building interactive art in Tokyo while publishing on PTSD. He holds an MFA from Parsons School of Design. He was artist-in-residence at BankArt, 1_Wall_Tokyo, Brooklyn Fashion BFDA, Process Space LMCC, NYSCI, Saari Residence, Kyoto Tech DRIR, Elektron Just a Stage Residency. His works have been shown in significant digital art venues, such as Ars Electronica, NeON Digital Arts, New Museum, and NYC Short Documentary Festival. He was awarded by Japan Society for the Promotion of Science, National Science Foundation, National Institutes of Health, Microsoft Imagine Cup, A' Design Award, Adobe Design Achievement Award, Davis Peace Foundation.

出生於廣州的新媒體藝術家羅銳使用他的腦神經科和機器人研究來創作跨界的作品。當在東京做腦神經研究的時候,他發現藝術,不像科學,可以改變觀衆的倔强習慣。他和專家一起合作的作品考察人們與自己,與機器之間的關係。羅銳的展覽包括在斎藤清美術館,哥倫比亞大學梅西畫廊,伊萊克特拉蒙特利爾機器藝術節,紐約科學館,拉合尔艺术实验室,林茲電子藝術節,霓虹燈電子藝術節,新當代藝術博物館,金浦宗當代藝術博物館,紐約短紀錄電影節,線上燃燒人節慶。


Website
創作者網址

http://raylc.org/
Keywords 關鍵字

embodied gestures, fashion technology, virtual reality, dance performance, embodied reality